July 4, 2023 - Germany
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The main thing I wanted to see in Leipzig was the Monument to the Battle of the Nations which commorates the victory over Napoleon in the Battle of Leipzig in 1813. The battle was large and complex so really all their is to see is this massive monument celebrating the victory over Napoleon. Unlike Jena, this one the Allies, including Prussians, won; hence the big monument. |
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The Battle of Leipzig, also known as the Battle of the Nations, was fought from 16 to 19 October 1813. The Coalition armies of Austria, Prussia, Sweden, and Russia, led by Tsar Alexander I of Russia and Karl von Schwarzenberg of Austria, decisively defeated the Grande Armée of French Emperor Napoleon Bonaparte. Having lost his Grande Armee in the disastrous Russian campaign of 1812, Napoleon managed to mobilize another large army which also contained Polish and Italian troops, as well as Germans from the Confederation of the Rhine (mainly Saxony and Württemberg). The battle was the culmination of the German Campaign of 1813 and involved 560,000 soldiers, 2,200 artillery pieces, and 133,000 casualties, making it the largest battle of the Napoleonic Wars, and the largest battle in Europe prior to World War I. The battle was a succession of skirmishes and battles stretching over five days. Basically Napoleon, centered on Leipzig, was attacked from the north, west and south. Allied reinforcements came in from the east, surrounding the French. Napoleon was compelled to retreat to the west and return to France while the Sixth Coalition kept up its momentum, dissolving the Confederation of the Rhine and invading France early the next year. Napoleon was forced to abdicate and was exiled to Elba in May 1814. |
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The 299 foot high Monument to the Battle of the Nations was completed in 1913 according to a design by Bruno Schmitz at a cost of six million German gold marks. At the front side of the monument, a relief depicts a battle scene. The centre piece of the relief is a sculpture of the Archangel Saint Michael, symbolising the personification of God's support for the German soldiers. Above Michael, an engraving reads "Gott mit uns" ["God with us"]. To either side of the archangel, furies carry the firebrand of war, while two eagles symbolise the "newly won freedom". On both sides of the relief, lateral staircases with 136 steps lead to the second story and the entrance of the crypt. The staircases are decorated with large heads of Frederick I, reminding of the myth of a sleeping emperor and "as expressions of the people's hopes for better times". |
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At the top of the monument, of the outside of the dome roof, stand twelve warrior statues, each composed of 47 granite blocks and 14 yard tall, meant to remind of the Germans' will to defend themselves. In the inaugural text about the monument, these statues were described as "guardians of freedom and pillars of justice".
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Next to the monument was a nice little museum. My favorite part of the museum was this huge diorama of the village Probstheida, just southeast of Leipzig, where the bloodiest fighting of the battle occurred on 18 October. The Allies wanted to take the village since it was the key to the positions of Napoleon's troops, The French dispositions at the village, however, were heavily fortified, thanks to the high and thick garden walls that gave excellent protection for the French infantry. The defense was also strengthened with artillery and strong infantry reserves behind the village. A day earlier, the Russians had taken most of the losses incurred during the battle, so it was the Prussians who took the initiative at Probstheida. |
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The diorama even shows Napoleon and his makeshift outdoor headquarters (not pictured here). | ||||||
Prussian troops attack a segment of the village thick garden wall. | ||||||
Due to its strategic importance, Napoleon personally headed the village's defense. Here you can see him sitting at his card table with two of his generals in the inner courtyard of the inn. Mounted riflemen and a unit of the Old Guard are ensuring his safety. | ||||||
The victorious Allied commanders -- Prussian, Austrian, Russian, and Swedish -- meet to celebrate the victory. A year ago all Europe marched with us; today all Europe marches against us. — Napoleon |
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A cutaway model of the Monument. | ||||||
The crypt was meant as a symbolic tomb for the fallen soldiers of the battle.
In the circle-shaped crypt on the first floor, sixteen statues of warriors are present, symbolically standing guard, two each in front of a total of eight 6.6 yd high death masks.
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In the Ruhmeshalle (Hall of Fame) on the second floor, four large sculptures are placed facing each other, each meant to symbolise an alleged virtue of the German people (bravery, strength of faith, people's strength, and sacrifice). Each of these sculptures is 10.4 yards tall. | ||||||
Towering above the crypt is a 74 yard high dome. Leading towards it, pillared windows are decorated with 96 smaller sculptures representing the suffering in war. The dome itself is filled with "324 almost life-sized equestrian statues representing the homecoming of the victors". The dome, (32 yard in diameter, creates unusual acoustics which allow for concerts to take place within the inner hall. From the crypt, 364 steps lead visitors to the observation platform on top of the monument. |
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Looking down at the Hall of Fame on the second floor. | ||||||
We took an elevator up to the viewing platform and were rewarded with some nice views. | ||||||
When designing the Monument, it was initially planned to create an accompanying complex for ceremonies that would include a court, a stadium and parade grounds. However, only a reflecting pool and two processional avenues were ultimately completed. Surrounding the monument are oaks, considered to have been a symbol of masculine strength and endurance to the Germanic people of antiquity. The oaks are complemented by evergreens, symbolising feminine fecundity, and they are located in a subordinate position to the oaks. |
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